Mira’s interest revolves around underrepresented groups, underground cultures and body empowerment in public space. While pursuing a Master’s degree of International Design Strategies in Shanghai, this leitmotif continued to be present and extended to a thesis around the ways groups of older local people reappropriate public space through dancing.
Returning to France, she founded Studio 333, a graphic design studio specializing in events and cultural fields. Her projects ranged from posters to visual identities for clubs and parties across Europe and Asia. Simultaneously, she developed her own visual language, using a bumpy pulsating line to depict bodies, faces, and objects. This organic stroke challenged traditional beauty norms, giving rise to bold, distorted, dancing characters that exuded more presence and power. Now, she engages in commissioned, collaborative, and self-initiated projects in design and illustration, finding fulfillment in reshaping a more vibrant reality.
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